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Every aspect of the shapes can be modified by the user points can be added, deleted, or manipulated just like any other bezier spline shape. The extruded objects can also be reflection, texture, and bump mapped for added realism. Several spline primitive shapes are included with Graffiti and all of these shapes can be filled, stroked, or even extruded into 3D objects.You can even map text onto a page turn shape and peel back pages of text to create flip-book style text animations. Each of the objects has its own unique features, such as the ability to disassemble a cube over time or unwrap a cylinder or sphere over time. These objects can be manipulated in 3D space with controls for camera, lights, and motion blur. Graffiti includes the ability to map generated text onto 3D objects such as cylinders, spheres, and cubes.Many 3rd-party After Effects filters can be used in Graffiti and thereby the editing system into which Graffiti is plugged into making it easy to use some of your favorite AE filters in the host editing environment.In addition, a number of filters from the Final Effects Complete package are now included with Graffiti. The list of filter effects includes radial blurs, particles, glows, distortions, and procedural generators such as snow, rain, and clouds.
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The original filter effects in Graffiti have all been replaced with the more powerful filters from the Boris Continuum Complete package and the number of effects filters that ship with Graffiti 6 has been increased to nearly 80.16-bit color in Graffiti is host dependent and will only work in hosts that support this feature. The result is that gradients are far less prone to mach banding or color stepping. 16-bit deep-color provides the user with the ability to generate smoother gradients and more precise color correction via an expanded color palette, which expands the available color gamut from 16 million in 8-bit color to trillions of colors.With unlimited pages of text per container, built-in DVE controls, a background generator, 27 composite mixable modes with built-in color correction tools, and of course motion blur, creating titles has never been easier. The Title Container in Graffiti automates the chore of creating rolls, crawls, faces, zooms, and shuffles.Motion blur can be added to the text for added realism. The reverse path option flips the text upside down along the path. Options include the ability to set the angle of the letters along the path, the position of the letters on the path, and the justification of the text along the path. Text can be animated along a user-generated vector path in Graffiti.Add jitter to the color or position of a title or page of text. Make titles appear to pop in to the center of the scene from behind the camera or slide in from left or right. Graffiti includes some very powerful type-on controls for generating animated titles which makes it very easy to create eye-catching animations.Raster-based text will display visible artifacts when scaled but because the text in Graffiti is vector-based, it is always sharp. This becomes important when dealing with titles that change size at different points along the timeline - for instance when letters appear to pop on or off the screen from behind the camera. Text created in Graffiti using the vector text option remains razor sharp at any scale.Most company logos are generated in this format. The advantage to working with scalable vector art is that unlike raster art which is pixel based, vector art never suffers a loss in quality when it is resized or scaled. Users can add, delete, or modify the original spline points right within the Graffiti interface and the result can be extruded and animated in 3D space. Scalable vector art can now be imported directly into Graffiti.Quickly create your own titles or pick from 100s of presets and styles.